![]() I myself have felt a great deal of frustration after watching some of the most talented producers I’m aware of gain little to no traction on Spotify in the three-plus years since I first started Micro-Chop. Every producer has unique and varying views on the existing tools for releasing and monetizing music while growing a fan base.īut the more I talk to artists, the more I notice a growing dissatisfaction with streaming services like Spotify. It’s a complicated question with no one size fits all answer. ![]() As we head towards the final months of 2019, I often find myself struggling with the same question: What models of distribution are the most beneficial and equitable for the artists/producers I write about?
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